On The Origin Of Posers

this town ain’t big enough for the two of us

(cw: discussion of racism, sexism, hipsters, nerds, punks, posers. Don’t read unless you’re willing to be offended.)

Here are some buzzwords courtesy of The Unbearable Whiteness of Indie, written by Sarah Sahim, guest writer for Pitchfork, a subsidiary of Condé Nast:

In indie rock, white is the norm. While indie rock and the DIY underground, historically, have been proud to disassociate themselves from popular culture, there is no divorcing a predominantly white scene from systemic ideals ingrained in white Western culture. That status quo creates a barrier in terms of both the sanctioned participation of artists of color and the amount of respect afforded them, all of which sets people of color up to forever be seen as interlopers and outsiders.

Sahim, who is Indian-American, complains that she can “count on one hand the prominent performers in the independent scene that look like me”, which isn’t that surprising, given that only 1% of the U.S. population has her ethnicity.^[1] She criticizes the “blinding whiteness” of Belle and Sebastian’s indie film, God Help The Girl, a film that is set in Scotland, which is 96% white. She also blames the white mainstream for labeling Das Racist as “joke rap.” She has a point: how could anyone hear “Combination Pizza Hut and Taco Bell” as anything but an urgent political statement?

But these poorly-chosen examples don’t disprove her thesis: that indie music culture, intentionally or otherwise, excludes people of color. In which case, we (“Pitchfork readers”) should fight this tendency and encourage minority indie rock artists. I think that everyone should have the right to rip-off Built To Spill, but let’s be clear: Sahim is arguing in favor of cultural appropriation.

Cultural appropriation is when somebody adopts aspects of a culture that’s not their own. (everdayfeminism.com)

The pioneers of indie rock (The Smiths, Joy Division, Sonic Youth, etc.) were almost exclusively pale, skinny dudes who liked a good cry now and then; indie rock is whiter than eating sushi after yoga and complaining about white people. You can redefine the dictionary to get around this:

A deeper understanding of cultural appropriation also refers to a particular power dynamic in which members of a dominant culture take elements from a culture of people who have been systematically oppressed by that dominant group.

but a) the definitions of dominant, systemic, oppressed, etc, are subjective and prone to political warping; b) the idea of a single “dominant group” is laughable, congress can’t pass a goddamn bill; and c) I contend that, regardless of the underlying power dynamic, all instances of “cultural appropriation” occur for similar reasons and have similar effects. #Thesis Statement = individuals vary, groups are pretty much the same.

So.

Sahim is far from the only liberal to be pro-appropriation. Do you remember all the articles about how programming culture discourages women? Aghast at the lack of female TV writers? What about the outrage at insular video gamers? “We need to get women into this culture of straight men!” How about this article criticizing Her for giving minorities only 40 seconds of dialogue? (Note: Her is a movie about a mustachioed hipster falling in love with an Apple product.) Heems and Kool A.D, the two rappers in Das Racist, have Indian and Italian/Afro-Cuban heritage respectively. The only way they aren’t appropriating is if you consider all minorities to be the same, which, um, seems kind of racist.

At the same time, the social justice movement is vehemently against cultural appropriation when other people do it. See, for example, this article, which criticizes Katy Perry for being “trap-influenced”, Justin Timberlake for “ripping the style of R&B”, and unnamed “post-Disney stars” for “copping the language of hip hop.” (It is perhaps noteworthy that these are all mainstream pop artists that Pitchfork’s hipster audience wouldn’t like anyway.)

Don’t get me wrong, sometimes the targets of FIGHT––>CULTURAL APPROPRIATION totally deserve the hate. Miley’s twerking black back-up dancers are offensive, and I don’t condone wearing an Indian headdress while getting wine drunk with Tri-Delta on Halloween. But the problem isn’t that The Artist Formerly Known As Hannah is appropriating culture, the problem is that she isn’t. Black booty dancers are not black culture, they are a white stereotype of black culture. Minstrelsy isn’t offensive because it steals culture, it’s offensive because it’s a mockery of culture: it’s not appropriation, it’s just racism. Compare: no cares about white people playing jazz.

And lest I come down too hard on social justice, let us note that the “other side”—say, Men’s Rights Activists—has the same hypocrisy and 1000 times the insanity. From a review of Mad Max: Fury Road:

The real issue is not whether feminism has infiltrated and co-opted Hollywood, ruining nearly every potentially-good action flick with a forced female character or an unnecessary romance sub-plot to eek out that extra 3 million in female attendees.

It has.

It’s whether men in America and around the world are going to be duped by explosions, fire tornadoes, and desert raiders into seeing what is guaranteed to be nothing more than feminist propaganda, while at the same time being insulted AND tricked into viewing a piece of American culture ruined and rewritten right in front of their very eyes.

This meninist, who is going to have a stroke if he doesn’t get his blood pressure under control, has written a fiery polemic against cultural appropriation. I know, right? Politics is weird.

Recently, I saw a photo of graffiti that said “RICH KIDS KIDNAPPED STREET CULTURE.” Here’s the thing: it is impossible to kidnap culture. Culture is an idea—the set of symbols and values shared by a group. It is as impossible to steal culture as it is to steal the number 6 or the concept of schadenfreude. Someone can copy your culture, mock it, attack it, but they can’t steal it, because you still have it. In Sahim’s Pitchfork essay, she digresses from her pro-appropriation argument to say:

White art additionally dilutes and flattens aspects of other cultures’ music that it adopts in the process of making them more “accessible” for those whose curiosity does not extend beyond the parameters of Europe and North America.

Which, if I’m reading correctly, means: “ughhhh, white people are so basic.”

It seems to me that “appropriation” is more-or-less synonymous with “being a casual”, that most casuals are recent, say, “cultural immigrants,” and that anger at casuals/noobs/posers/cultural immigrants is common if not universal. And so for the next chunk of this essay I want to work on finding a general rule: do cultural immigrants actually harm the culture they’re joining? Can we stop cultural immigration? Should we stop cultural immigration? Why the fuck does anyone care about posers?

II.

Left unchecked, the casuals will always win. Blame the math.

Let’s pretend the above plot describes the population distribution of “interest in punk rock.” People around zero have average interest; the further to the right you are, the more spikes per cm^2 of clothing.

From this group, who is most likely to found a new culture? The 0.1%, the hardcore kids—they spend the most time looking for novelty, they are the fringe of the culture = most isolated = most desperate for similar minds. A culture is thus founded by a small group of individuals with high levels of interest relative to the general population.

Who is going to join this new culture?

The most casual people that the culture’s definition allows. If the culture is defined as “people who go to punk rock shows”, then most newcomers will be, “people who went to Warped Tour once and moshed to Asking Alexandria.” Why? Because there are more of them. If the culture is defined as “people who believe in the DIY aesthetic,” then most newcomers will be, “people who once pinned an anarchy symbol to an army surplus jacket.” Why? Because there are more of them. And if the culture is defined as “people who are straight edge anti-capitalist vegans”, then most newcomers will be teenagers who have worn those labels for all of six months. Why? Because there are more of them.

As the posers arrive and become a majority, the culture’s definition will change. “I’m not that hardcore, but most of the people here listen to Green Day, so whatever.” And so the next wave will be even more poser-ish, until New Culture is entirely swallowed by Old. Nerds used to look like this, now nerds look like The Avengers grossing $1.5 billion, the lumberjack aesthetic has spread like mono, and hip-hop, bad news, but you are now the soundtrack to junior high prom. No matter how you define your culture of equals, it will return to a normal distribution of mainstream vs. fringe.^[2] The fringe kids don’t have to be disliked, they don’t have to be low-status, but they are necessarily different, and they are aware of this. High school is a stable Nash equilibrium for human civilization, sorry if you don’t like The Breakfast Club.

It’s understandable, then, that cultural veterans try to fight immigration. Sarah Sahim complains that white artists “dilute and flatten” authentic brown art as they make it accessible for the mainstream; swap a few adjectives and the people behind Gamergate are saying the same thing. These conflicts are everywhere. Society is a collection of cultures forming, growing, budding off, swallowing, growing, budding off, swallowing, agar.io forever.

One hundred years from now, there will still be graffiti: “DIGITAL BRAINS KIDNAPPED CYBORG CULTURE.” It’s wrong, but you can’t blame whomever wrote it. Being a minority sucks. It sucks because of the thousand virulent strains of racism and sexism and discrimination, yes, but it sucked before those things existed and it will continue to suck after they are gone. Being a minority sucks because being different—and being constantly reminded that you are different—is alienating. The Doors, by way of Das Racist: People are strange, when you’re a stranger / faces look ugly, when you’re alone.

III.

Let’s switch sides: maybe casuals are bad, and we should stop them.

Except—who are these fiends who dare immigrate to a new culture?

When the fringe kids leave, the label just moves down the population. The people who were once 2.5 SD above the mean become the new weirdos, and when they emigrate, they will be every bit as genuine in their desire to find like minds and be understood.

Yes, this is simplified model. Yes, in the real world not everyone >3 SD vanishes at once. The pattern holds true.

Imagine a suburban white kid who gets invested in hip hop culture. Is he one of the cool kids? No way, this is a kid who feels lonely, horny, frustrated for reasons that he can’t describe, who listens to Immortal Technique and rejects the “superficiality of the mainstream” and carves letters in the bathroom stall with a ninja star. Think about one of the much-maligned “gamer girls” who gets into cosplay. Is she one of the cool girls? Hell no, cosplay isn’t and never will be cool (= pretending to be someone else = not “authentic”), in fact, that’s why she’s doing it, that’s why she has all those kawaii verbal tics and sends text messages with :P’s, because she wants to signal that she doesn’t fit in, that she believes in something better, something fantastical, and she wants to find people like her. Or, if we think VERY CHARITABLY about Sarah Sahim:

It’s an ethical tragedy of the commons: if immigration is unrestricted, the culture collapses, but the act of telling any one immigrant, “sorry, you can’t join” is hurtful and unjust.^[3]

So what’s the solution?

Poserification has been exacerbated by the internet age. A local punk scene/videogame club won’t have a mass influx of immigrants, because a) not that many people will have heard of it, b) it requires physical effort to join. There is safety in obscurity; the internet devours obscurity.

But just as importantly, the internet facilitates grouping based on shared beliefs, rather than shared action. (Totally unrelated, but, uh, remember to like and subscribe.) Communities of musicians hold up better than communities of music fans: pentatonic scales are objective, the best Radiohead album is a matter of some debate (among people who don’t know that it’s OK Computer). Similarly, skill-based video game communities tend to be quite welcoming: you can’t casual-ify the inputs for Shoryuken. And, anecdotally, communities who act politically—right or left—have far less infighting than those that work through reblogs and labels.

The best solution, I think, is to have borders just strong enough to keep immigration from going neoplastic. When immigration is slow, new members have time to assimilate, to learn the jargon, to grow into the culture rather than pulling it down. There will still be a normal distribution, but if immigration = emigration, then group size will remain small, and members will have fairly similar levels of interest. I don’t see an easy solution, but if someone wants to play with the details and figure out a niche differentiation model, I’m all for it.

In the meantime, I’d be very skeptical of any club that will have you as a member.

IV.

Recently, a few dozen White Student Union pages sprung up on Facebook, which claimed to present “safe spaces where students of European descent (and allies) are free to celebrate and talk about their European heritage.” These pages may have originated as hoaxes by 4chan white supremacists; doesn’t matter, bait was taken, it was demanded that someone these groups down, and many of them shortly were.

This is an old, old argument. The pro-WSU argument is, “If other cultures have student unions and ‘safe spaces’, why shouldn’t white people?”, to which the counterargument is, “Most student groups are already white; any group that defines itself by whiteness is going to attract racist people”, to which the countercounterargument is, “Even if these groups are racist, they have a 1st Amendment right to assemble”, to which the countercountercounterargument is, “The 1st Amendment protects your speech from government censorship; a private university has no obligation to aid and abet racism,” to which the countercountercountercounterargument is, “The concept of ‘free speech’ has value outside of the legal framework, and infringements against it for the ‘public good’ should be rare and carefully considered,” etc, etc, until all parties reach an understanding that different people place different values on Autonomy and Beneficence and everyone goes home to read John Stuart Mill. Just kidding! They fire off a few buzzwords and go back to their regularly scheduled feelings of self-righteous impotence. “The world sucks, but what can you do? Some people just won’t listen.” I know, right?

Here’s a more interesting argument: given that White Student Unions attract racist people, will banning them make people less racist?

I doubt it. The WSU admins claim that they feel “marginalized on campus,” then say:

We stand for the right of our black brothers and sisters to create a safe space at UCSB to celebrate and promote African cultures. All we want is to be able to do the same. Is this too much to ask?

If a swing voter sees this post and then sees the page get promptly shut down, he has good reason to believe that the WSU people are exactly right. “We can’t even have a Facebook page? The liberals really do run the media.”

“It’s worth it,” you say, “if it gets rid of a racism on campus.” Sure, except that won’t happen. Having an official presence gives the WSU an obligation to be reasonable—if you want to sit at the grown-ups table, you have to be polite. Think about the model. Who is scarier: the Republican party, or the individual voters? The White Student Unions may be racist and reprehensible, but they are amateurs, and as groups they are harmless. When you split these groups up, you are going against regression to the mean: you are turning a boring student union into a bunch of isolated, unpredictable radicals.

I’m not convinced that this makes anyone safer.

So far, we’ve defined cultures based on political ideology, musical taste, etc. What about the fundamentals? What if a culture selects for “niceness”?

Nice people prefer to be around other nice people. Thing is, assholes also prefer to be around nice people. (Why wouldn’t you want to be around people who will listen to your problems?) So if the top 0.1% of nice people split off to form a utopia, some slightly-less nice people will follow them, and some even-less nice people will follow them, and eventually Old Culture and New Culture will have the same level of niceness, at which point immigration will stop. Faking is easy, yes, but note that the assholes don’t even have to fake niceness—all they have to do is wait until they’re about as nice as everyone else.

Let’s make one last change to our model. In the real world, people have more than one community to choose from, and they evaluate each community with regard to multiple different traits. For example, nearly everyone would prefer that other people follow the Scout’s Law: trustworthy, loyal, friendly, helpful, courteous…

So when Sarah Sahim tries to join a culture, she looks at each one’s average trustworthiness, and finds that every single culture in the world has the exact same trustworthiness. If they didn’t, someone would have already moved to take advantage.

Next, Sarah looks at loyalty, and finds that every single culture in the world is equally loyal. Equally friendly, equally helpful, equally courteous…

And so on.

This is a simplified model, but—it is nearly impossible to select for the broad positive traits that everyone likes. The best you can do is select for details, differences: politics, race, preference for one type of indie rock over another.

Because you cannot select for these big positive traits, because these traits will have a normal distribution in each group, there will be more intragroup variation than intergroup variation.

Pause before writing off all members of a group as villainous. Do not assume that all members of your tribe are pure.

You are more than your identity.

Footnotes

Accusations of “industry X is whitewashed” often make this mistake. “Of those characters coded for race/ethnicity across 100 top films of 2014, 73.1% were White, 4.9% were Hispanic/Latino, 12.5% were Black, 5.3% were Asian, 2.9% were Middle Eastern, <1% were American Indian/Alaskan Native or Native Hawaiian/Pacific Islander, and 1.2% were from “other” racial and/or ethnic groupings. (Source)” ↩︎
Of course, this happens to walled-off communities as well. Suppose that the members of a group randomly get between -10 and 10 Interest Points each month. Over the course of a year, some people will get only positives, some will get only negatives, and most will be in between —> normal distribution. But immigration hastens this process + places the founder population on the far right of the curve, and this makes immigration especially unpopular. ↩︎
This is an essay about cultural immigration, not crossing-the-border immigration. Are they analogous? Not really. (Some) conservatives argue that, say, poor Mexican immigrants will “dilute American culture”, but this incorrectly presumes there is a single “American culture.” There is a NRA Conservative culture, a Techie Objectivist Libertarian culture, a Middle-Aged NPR Liberal culture, a College-Age Social Justice culture—and none of these will involve impoverished Mexican immigrants. If they aren’t going to participate in any of these, how could they dilute them? A more realistic concern is that Mexican immigrants will complicate Mexican-American identity; however, I don’t think this is a problem best solved by walls and/or guns. ↩︎